Dear Ancestors*

1. Currently you are beloved, apoliticized, or, capitalized. We think of one of your names headlining Hirschorn’s gentrification project, your name invoked as a shield against his. No mention in the headlines of your anti-fascist activism, your writing against the artist bourgeois, vulnerable education systems. It is as if you existed solely, in your own…

Dear Colleagues: Dead or Alive*

1. Despite my disdain for predictability and repetitiveness, I have found myself starting all correspondences with friends and loved ones with the same greeting: I hope you are surrounded with lots of love and support amidst fascism! Although I am aware that no amount of love or support may protect one from fascism, I find…

Surveill, Aestheticize, Rationalize, Ignore: The Light & The Formula

Under the neoliberal police state, U.S. acts of protest often proceed like a performance: a permit from the city officials required for large groups to march the street, the mapped out and agreed upon distance, the weight of returning home to continue with other daily chores. While a group of established artists and writers have…

WILDING Continued: a Conversation with Aria Dean

Too often radical debates become reduced, or settled with representational politics. Without dismissing the severity and damage that the lack of representation means to communities under siege (as we are intimately invested in the stakes of representation here), we’ve increasingly become interested in expanding the horizon beyond representation, canon-interruption, and inclusion.   In The Reorder…

Never Mind the Bollocks, Here Comes 2016!

As this year of all kinds of wonders come to a closing, I’m going to try to remember it through a list of things, exhibitions and events with interesting linkages. This list is in no way all inclusive or written from “perfect memory.” This year was full of death and destruction, and I’m not only talking about the…

An Interview with Legacy Russell: Wandering/ WILDING

When the presence of Black bodies is policed, and the movement of racialized bodies surveilled and criminalized, what does a Black flaneur aesthetics look like? Is wandering a derailing from the constrained roles situated by contemporary art? In Mounting Frustration: The Museum in the Age of Black Power, Susan Cahan writes that the professional categories…

We Write Because of You and We Write for You

This space will continue to remain unconditionally committed to the artistic visions of vulnerable communities. Women of color, undocumented persons, marginalized genders, marginalized communities, those living with disabilities, the poor, the refugee, the FOREVER emerging–we write because of you and we write for you.

Art & Colonialism: Renzo Martens Part 1

“Clearing out the way” is a labor that I am committed to. As the emergent requires new geographies, new movements, and unimaginable possibilities. I’ve decided that every few months, I will take the time to deconstruct a piece of “art” I interact with, where the only response I have is: WHY. I will consider this…